The creative force behind Secret Identities–the comic book anthology of Asian American superheroes–have started SIUniverse for Japan, an online auction to raise money for…
There is much to be admired about Amy Chua, a Chinese-American woman who successfully became an accomplished economic theorist, Yale professor of law, and…
The news is out: the script for the live-action adaptation of the manga classic Akira has been sent to a short list of actors…
Leopard-print tights. Black lips. Thick, black eyeliner. A hairdo shaped like a flame. Hahn-Bin, 22-year-old Korean violinist, performed at the Hammer Museum on Thurs.,…
Yes, it is finals week (if you couldn’t tell from the reduced number of my posts), and I have an essay due tomorrow as…
When a man looks upon his new bride under the moonlight, he is tempted to admit that her beautiful face is “like the lotus that is blooming in the lake” or “like an ode that has been plucked on the instrument of life.” Guru Dutt and Mohammed Sadiq’s classic Hindi film about the then-Muslim city of Lucknow, “Chaudhvin Ka Chand,” is full of poetic depictions of that ultimate love in a man’s life, but more poignantly, it teaches us how to give up that great love when following one’s own convictions.